This is the postlude of the piece, and there is a lot of narration (which you cannot hear because the MIDI does not execute it). I may tinker with the very end a little bit, but this is about 98 % how it will be. What I would like to get your input on (whoever it is that may read this very soon) is whether the grooves (first established by the vibraphone, then the winds, and eventually focused principally in the drum set) work for you and make you want to move, even if you don’t. I intend for the music and rhythm here to be alluring and to keep folks just a little on edge throughout the rhetorical process of the narrator’s delivery. So, please, if you don’t mind, let me know your thoughts. Either here, e-mail, or through some other form. And please, excuse the MIDI, as this isn’t intended to be a proper mock up.
Pheedback Needed Phor Phat Beatz
This entry was posted in Dissertation and tagged art music, arts, classical music, composition, concert music, creative process, dissertation, Justin Capps, learning, music composition, new music. Bookmark the permalink.